My sound lives at the intersection of two worlds.

On one side, the electronic pioneers—Kraftwerk, Boards of Canada, and Devo—shaping my approach to synthesis, texture, and sonic experimentation.

On the other, the timeless language of jazz, funk, and cinematic scoring, inspired by artists like Herbie Hancock, Quincy Jones, and Miles Davis, alongside Italian film score masters such as Ennio Morricone, Stelvio Cipriani, Franco Micalizzi, and Goblin.

My work blends these influences into a cohesive language—where analog synthesis meets groove-driven composition, and cinematic storytelling merges with rhythm and improvisation.

Each track becomes a space where structure and spontaneity coexist, balancing electronic precision with human feel.